Nymphoism in Nollywood: Hypersexuality as Cultural Commentary in AnÍkÚlÁpÓ
Student: Ayobami John Akanbi (Project, 2025)
Department of Theatre and Performing Arts
Bayero University, Kano, Kano State
Abstract
This study examines the portrayal of nymphoism—understood here as culturally framed hypersexuality—in Kunle Afolayan’s Nollywood film Aníkúlápó (2022). Using qualitative content analysis and radical feminist theory, the research explores how characters like Saro, Arolake, and Awarun embody hypersexual traits that reflect, challenge, and critique Yoruba societal norms, gender roles, and moral expectations. Saro’s unchecked sexual ambition leads to his rise and fall, while Arolake and Awarun assert female agency in defiance of patriarchal constraints. The film uses sexuality not merely for dramatic tension but as a narrative tool to critique cultural contradictions and gender power dynamics. Mythological elements, particularly the Akala bird and the resurrection gourd, serve as metaphors for power, betrayal, and justice. This study contributes to feminist discourse in African cinema by positioning hypersexuality as a lens for understanding power, agency, and cultural resistance in Nigerian film narratives.
Keywords
For the full publication, please contact the author directly at: akanbiayobami4@gmail.com
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Institutions
- UMA UKPAI SCHOOL OF THEOLOGY, UYO, AKWA IBOM STATE (AFFL TO UNIVERSITY OF UYO) 1
- Umaru Ali Shinkafi Polytechnic, Sokoto, Sokoto State 24
- Umaru Musa Yaradua University, Katsina, Katsina State 28
- Umca, Ilorin (Affiliated To University of Ibadan), Kwara State 1
- University of Abuja, Abuja, Fct 116
- University of Africa, Toru-Orua, Bayelsa State 4
- University of Benin, Benin City, Edo State 362
- University of Calabar Teaching Hospital School of Health Information Mgt. 1
- University of Calabar, Calabar, Cross River State 240
- University of Ibadan, Ibadan, Oyo State 14